Review: With a brilliant ‘Buddha Passion,’ L.A. Phil and Tan Dun usher in the Year of the Boar

What is unimaginable is pinning down Tan. Since emigrating from China to New York within the late Nineteen Eighties, he has made a apply of not solely combining East with West but in addition the avant-garde with romanticism and leaving room for Hollywood flash. In fall 2000, as an example, Tan wrote his “Water Ardour,” a Taoist take on the Gospel In line with St. Matthew, for cellist Yo-Yo Ma, country fiddler Mark O’Connor, a Western refrain and a literal kitchen-sink of percussion instruments splashed in water. Six months later he picked up an Oscar for his rating to “Crouching Tiger, Hidden Dragon” on the 73rd Academy Awards.

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