Mastering old techniques and new technologies to re-create the moon landing for ‘First Man’



In digital camera. In digital camera. In digital camera. For production designer Nathan Crowley, the “First Man” artistic temporary could not have been more emphatic when director Damien Chazelle laid out his strategy to filming NASA’s Nineteen Sixties-period area program. Crowley, who earned 4 Oscar nominations as Christopher Nolan’s go-to designer on such films as “Interstellar” and “Dunkirk,” eagerly embraced the analog aesthetic. “Through the years,” he says, “I’ve turn out to be far more focused on creating environments utilizing physical tools, physical units, bodily methods fairly than simply popping in a green display and CGI’ing the whole lot.”



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